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- GOODS--Sam listens to a static-laden radio or eats M&Ms or tries to read one of Marla’s pirate-themed romances (in an effort to understand her friend better) when she isn’t meditating or conversing with her partner. Butler and her cast do an excellent job of portraying the absolutely repetitive boredom of this job despite its exotic setting.... Rivers’ younger (though, hey, they have been in this gig together for twenty years, so not that much younger), more emotionally volatile Sam also dreams of eventually retiring (perhaps ironically to a house in the middle of nowhere).... Both actresses turn in stellar performances.--Karen Topham, Chicago On Stage
- GOODS--As Sam, Shariba Rivers is quite simply a treasure. Seen before the pandemic at Rivendell Theatre in “The Tasters,” and at Raven Theatre in the exciting “Hoodoo Love,” Ms. Rivers once again electrifies the stage with her natural delivery and honest portrayal. There’s always more than meets the eye in Shariba Rivers’ characters, and this is true of Sam.--Colin Douglas, Chicago Theatre Review
- THE SPIN--The cast includes a commanding Mike Ooi as Loren, in tandem with a quietly powerful Shariba Rivers as Deidre as the fearless ringleaders of the circus.--Lynn Beaver, Broadway World
- SCHOOL GIRLS--Rivers’ portrayal of a fading star who is looking to gain notoriety once more is both brilliant and tragic.--Tim Leininger, Journal Inquirer
- THE TASTERS--Rivers turns in such a spectacular performance as the leader of the rebellion, captured by the government and forced to be a taster. Stoic, passionate, sly and caring, it’s hard to see how anyone could turn down the powerhouse leader that is Rivers’ Elyse. --Jerald Pierce, Chicago Tribune
- THE TASTERS--Rivers’ Elyse has unmistakable, irresistible authority. There’s no flash or once-more-into-the-breach heroics, yet it’s clear Elyse is a charismatic warrior who could lead armies through the very gates of hell. --Catey Sullivan, Chicago Sun Times
- THE TASTERS--The actors portraying the trio of tasters dig deeply into their roles’ backstory and situation, producing characters that are intense, layered and plausible within the story’s context. Pereira’s ultimately traumatized and disillusioned Corrine and Rivers’ commanding yet vulnerable Elyse are rounded, compelling personalities. --Hugh Iglarsh, Newcity Stage
- THE TASTERS--Elyse is played with strength and cool bravado by the always marvelous Shariba Rivers (“Hoodoo Love” at Raven)....another excellent performance from Shariba Rivers --Colin Douglas, Chicago Theatre Review
- THE TASTERS--Rivers electrifies, even silently, as she shifts her focus inwards or out. --Amy Munice, Picture This Post
- HOODOO LOVE--Shariba Rivers steals the show as Candylady, the village elder who has outlived 5 husbands, slavery, and the limitations of others. Rivers plays the part with gutsy and unapologetic gusto, bringing constant belly laughs while exploring hard truths about relationships, human nature, and her own limitations. She serves not only as a spiritual guide, but also as a satirical foil for mocking the shortcomings of religion. --Sheri Flanders, Perform Ink
- HOODOO LOVE--Shariba Rivers is a total triumph as Candylady. The kind of actor who could make the phonebook riveting, Rivers tears into the many layers of Toulou’s enigmatic neighbor, peeling back wit, will, and a deep sorrow, bringing to life a storied witch as much resigned to fate as her ability to alter it. She earns the show’s biggest laughs, and with clever choices that imply she could be a con artist just better at her job than Jib, or an actual simple-living sorceress, there’s no doubt Shariba Rivers has powers. “You want salvation, go to church. You want something done, come to me.” --Ian Rigg, Chicagoland Musical Theatre
- HOODOO LOVE--The always wonderful Shariba Rivers returns to Raven as the mysterious and magical Candylady. Having impressed audiences in productions of “Dividing the Estate” and “House of Blue Leaves,” Ms. Rivers dazzles and delights in each and every scene. She’s always fully committed and offers a special charismatic clairvoyance to this play, replaying everything through her facial expressions and body language. This actress continually captivates and mesmerizes throughout the play, leaving her presence in the memories of theatergoers. --Colin Douglas, Chicago Theatre Review
- HOODOO LOVE--While there is literal magic on stage in scenes deserving their own rounds of applause, palpable magic is felt between Martasia Jones and Shariba Rivers as Toulou and Candylady, respectively....Rivers brings much needed levity to the stage with her mysterious Candylady. --Amanda Finn, New City Stage
- HOODOO LOVE--In love both with Ace and with the idea of being a singer herself, Toulou enlists the help of Candylady (a riveting Shariba Rivers), the local "root woman," to bind his heart to hers.... it's her relationship with Rivers's Candylady, who carries in her own mojo bag memories of slavery and of all the husbands she's lost, that resonates most honestly. --Kerry Reid, Chicago Reader
- BLACK BALLERINA--...Rivers imbues Marie with a potent mix of cynicism, regret, and pride in her daughter's talent. --Kerry Reid, Chicago Reader
- UNWELL: A MIDWESTERN GOTHIC MYSTERY--Lily, the protagonist played by Shariba Rivers, is fractious and irritable, having been forced to come down to the town she hates to help her mother, but believably so, completing tasks that she feels compelled to in order to protect her mother’s health....Rivers and Harman enact a contentious, sometimes emotionally abusive, sometimes awkwardly loving, relationship with a long history, parallel to the house that is falling apart around them. --Elena Fernández Collins
- UNWELL: A MIDWESTERN GOTHIC MYSTERY--Played by Shariba Rivers, Lily, Unwell‘s protagonist, is prickly in a way that feels justifiable, or at least relatable. There’s a sense of both duty and frustration in her performance that helps Lily feel grounded–something that accentuates the strangeness that seeps into every part of Mt. Absalom. --Wil Williams, Wil Williams Reviews
- THE WINTER WOLF--Rivers’s indispensably warm and layered performance, accomplished while simultaneously bringing to life a previously unheard of demigod beast, goes a long way toward lending this simple story the gravitas it needs even to win over young audiences. --Kris Vire, Storefront Rebellion
- THE WINTER WOLF--Shariba Rivers, manipulating an oddly suitcase-like puppet version of the creature, breathes just the right combination of solemnity and playfulness into the proceedings. --Justin Hayford, Chicago Reader
- IN THE CANYON--Where a light exists both performance-wise and within the narrative is Wendy. This is perhaps the standout performance for Shariba Rivers, who’d already been incredible to this point. Wendy is solid, soft, smart and acerbic—the best of her mother and then some,,,she’s the one point of hope, if small. She’s stalwart and determined to keep fighting, and remind us to do something more. --Marielle Shaw, 3CR
- IN THE CANYON--Shariba Rivers and Peter Moore as Actor Six and Actor Seven carry a particularly interesting track – beginning as a married couple devoted to the church, and later performing in a completely different power dynamic.... Moore and Rivers portray that switch gracefully, and create an especially frightening and effective relationship as the criminal and officer. --Lauren Katz, Picture This Post
- REFRIGERATOR--Each cast member has transcendent moments, with Shariba Rivers as the coldhearted, pragmatic Mitchell a particular standout. --Dmitry Samarov, Chicago Reader
- DONTRELL, WHO KISSED THE SEA--But, above all, Shariba William’s [sic] is brilliant as Dontrell’s mother–the living embodiment of his metaphorical sea. In (her) deep and utterly soulful performance, she is, at once, the carrier of her son’s anxiety, possibility, and dreams. --Karen Topham, Chicago on Stage
- THE TERRIBLE--...wouldn’t play as well without the quality performances from Rivers and Fowler. Delving into the depths of a mother without her son and a man without his mind comes two beautifully nuanced performances. --Jerald Raymond Pierce, Chicago Stage Standard
- POLAROID STORIES--That task falls largely to Shariba Rivers, whose brief monologue about the baby she gave up for adoption is as blunt and strong as they come. --Nina Metz, Chicago Tribune
- JASON AND MEDEA--Rivers is the most intense of the cast and actually feels like she’s the only one straight out of a classic Greek play. --Patrick Dyer, Chicago Theater Beat
- THE RANT--Rivers’ aggrieved Denise, mother of the slain boy, packs a lifetime of angry suffering into every uttered syllable—it’s a weight she both resignedly shoulders and also wields as a weapon against her detractors. --Paige Listerud, Chicago Theater Beat